All cars are inspired by there icons of these days, all are printed on Hahnemühle Photo Rag Metallic. Hahnemühle Photo Rag Metallic is a natural white cotton paper with a shimmering silver finish that creates a high-gloss metallic look. With its special appearance, the paper is ideal for motifs with reflective or metallic elements and objects with high contrast that are artistically highlighted.
This image were generated using artificial intelligence — fed with my thoughts, my imagination, and my knowledge of automobiles, light, perspective, aperture behavior, color spaces, and photographic aesthetics.
The AI does not function as a replacement, but as a tool: it translates my creative decisions into visual form. Materiality, gloss, depth, and contrast are deliberately composed to create an almost photographic presence that nevertheless exists beyond the real.
The result is not a photograph, but a visual composition — an artificially generated image with human intention.
Generated using artificial intelligence, fed with my brain, my imagination, and my knowledge of cars, exposure, aperture settings, photographic paper, and light sensitivity and colors. Image format 30 x 40 cm with 5 cm white border on 40 x 50 final format, signed and numbered.
Grammage: 340 g/m² | Whiteness: 88% | Dmax: 2.4 | Gloss level: high gloss | Surface: clearly structured | Optical brighteners: no | Material: 100% cotton.
Passion
Nimm dir einen Augenblick Zeit und verfasse eine sympathische Einleitung, die kurz und bündig auf den Punkt bringt, wer du bist. Wenn du etwas verkaufst, kannst du diesen Bereich nutzen, um deine Marke detailliert zu beschreiben. Lass deine Kunden auch wissen, warum sie etwas bei dir kaufen sollten. Lass deiner Kreativität freien Lauf. Du kannst das.
KEN BLOCK † with his Ford Escort
Paulo Diana with his Fiat 131
bird’s-eye view
The bird’s-eye view has something truly magical about it because it lifts us out of the limits of our usual perspective. Suddenly, you’re no longer standing next to the car – you’re floating above it, free from scale and everyday familiarity. From this height, the vehicle stops being a practical object and transforms into a pure shape, almost like a piece of graphic art. Lines, curves and surfaces become an abstract pattern, as if the car had been translated into a visual composition. What is normally metal, glass and rubber turns into colors and geometry.
That is exactly what makes this perspective so fascinating: it shows something familiar in a completely new way. As humans, we normally experience the world from eye level, bound to roads, distances and ordinary angles. The bird’s-eye view breaks through that natural limitation. It offers a viewpoint that is usually reserved for drones, cameras or imagination. The car suddenly appears small and yet perfectly formed – like a carefully placed model on a giant sheet of paper.
In that moment, it becomes clear how much our perception depends on perspective. Seen from above, reality dissolves a little and makes room for something playful, almost dreamlike. That is why this view feels so incredible: because for a brief moment it pulls us out of the ordinary and reminds us how exciting the world can be when we simply look at it from a different angle.
1968 Chevrolet C20 long bed
